Murder Dog
 

 

INTERVIEW WITH MAINO
By Javon Adams
From Murder Dog vol 15 #3

Your single, “Hi Hater” really blew up! How does it feel to have a song that is on the lips of folks nationwide?
It feels tremendous. It feels great especially after coming from the grind with the mixtapes and the DVDs. Just trying to work to get to this position right here. It’s just the beginning but it feels great.
You once said that when you were signed to Universal they didn’t know how to promote a rapper from New York. How confident are you that Atlantic will do what needs to be done to put you in the right situations?
They’re already showing you right now. The proof is in the pudding right now. I went from mixtapes and DVDs to MTV and BET.  I haven’t been signed to Atlantic for a year yet and my train is already moving. I was signed to Universal for two years and never put a single out. Never went on Promo or nothing. Atlantic is supporting me 200%.
Is it what you thought it would be as you start to get the ball rolling and build up that momentum?
Ah man, I just know that I am blessed. Coming from where I came from I never thought that I would even be in this position. Once I did get into the music industry I dreamt of one day being able to be known and be on TV, do certain things and have a record that everybody knows. When it comes on in the club everybody is screaming. I dreamt of this day.
It’s been a long coming. How do you balance your personality with the business of music? Have you been in a situation where your frustration started to get the best of you when you felt things weren’t moving fast enough?  How do you balance being a businessman with the streets where you can handle things right away?
That came from being in prison for ten years. If there is one thing that prison taught me it’s to be patient. If I sit there in somebody’s jail for ten years straight then I can wait three, four or five years to bubble up as far as the music is concerned. Nothing I’ve ever been through out here has been as hurtful and as painful as what I felt when I was in prison. Nothing can amount to what I felt in there or the loss that I felt. All that did was made me patient and stronger and better equipped to deal with the industry.

You said that the greatest part of being an emcee is being able to provide for your family. Did your faith in being able to provide legally for them ever get shaky during the negotiations with Atlantic?  Did you ever feel that you had to revert back to doing some things that you didn’t want to do during that process?
I never said that I didn’t revert back already, you understand? The truth of the matter is that when I came out of jail I was still attached to the streets. While I was waiting—and I had a great supporting team—I was still attached to it. Without saying certain things…you already know what it is.
You mentioned having a good team around you. How important is finding the right people to surround you in the music business?
It’s one of the most important things because you can’t do everything by yourself. You need a team and a great cast. You need people that are really for you. No ‘yes men’.  You need people that are going to be honest with you and ride or die with you.  If I didn’t have that then things would have been a lot more drastic for me.  If I didn’t have that support system then it would have been crazy.
What is the best piece of business advice that someone has ever given you?
Don’t spend all you money on cars and bullshit. 
So you’re looking into investing into different things?
Definitely. You want to make your money make money. 
Some emcees just rhyme and others make songs.  You fall into that song-making category.  Can you explain the difference between ‘just rhyming’ and ‘making a song’?
Look at it like this, when I’m on the mixtape circuit I can just rhyme until my heart is content. I can just do whatever, but when you want to play on a more national level you want to get the people involved and have songs that are going to bang on the radio and in the club that kids and ladies will pick up on then you have to get into a song-making mode.  Some people can’t make the transition from being a great lyricist to being a songwriter or a record maker or a hit-maker.  I pride myself on being able to do both when I need to.
A hit song can be a blessing and a curse sometimes.  On one hand your awareness goes up because you’re getting all the spins and the video is getting played. Then people want another ‘Hi Hater’.  How do you handle that pressure and how do you approach that?

I’ve faced pressure before with my life. There is no pressure that I could feel. That’s easy pressure. That type of pressure I welcome. I have a new single out called ‘Hood Love’ which I feel is a bigger radio record than ‘Hi Hater’.  I just feel that I have a better radio record than ‘Hi Hater’ this time around. If people are looking for my momentum to die down then they’re mistaken. Everything I’m doing is by design. This was planned. I didn’t stumble onto a hit. All of this was put together and planned out so I’m prepared.
I heard the song and I think it will do well.
On the radio. It’s not necessarily a club record but it’s definitely a radio record. The doors that ‘Hi Hater’ has opened for me around the country makes it easier for them to take. 
Your album is dropping soon.  What will define success for “If Tomorrow Never Comes…”?  Is it platinum or bust?  Is it the amount of shows you do?  Is it getting on a good tour?  What defines success for you?
When you think about who I am and what I come from then I have already defined success for the street nigga, for the nigga that never had nothin’, for niggas that’s on the corner trying to come up, for the dudes that are in prison and trying to come out. Coming from that with two felonies and incarceration, I’ve done it already.  I’ve done what they said I couldn’t do. Whether I go platinum or I go double wood it is what it is.  I’m good and I’m happy because dudes like me don’t make it in life, let alone have a career.  So I’m good with whatever happens. Of course I want to sell records because that’s what I’m in it for.  I want to be wealthy and have things and go forward.  If I only sell 200,000 copies does that mean I’m a failure?  There’s no way in the world somebody could look at me and my life and call me a failure. By no means.
What is your website so people can stay connected to you?
Mainohustlehard.com and hihater.com and for the people who love myspace there’s myspace.com/maino

 

Maino